artist choice
sound poetry, performance, dance, video, lectures

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 
 

25.02.05 - 27.02.2005

opening: Friday, February 25th, at 8 pm
welcome: An Seebach, Kuenstlerhaus member since 1994
introduction: Tomomi Adachi, temporary member since september 2004

 
 

The project
Different artist’s choices are introduced to the public: The two artist friends
Tomomi Adachi and An Seebach have choosen various artists for a small festival’s program.
Since Tomomi Adachi is temporary member of the Kuenstlerhaus Dortmund,
they both share a continual art discussion. Next to other subjects it is naturally about the specific Asian and European views on contemporary art, the cultural differences Japan-Germany in general.

This weekend they will personally introduce artists. Some of them they know for long,
some they have never meet before; some of them are attending, some can only be presented by the art work. As there is a wide range of interests within their own works, the presented media will be several: performance, video, sound poetry, lectures, film, photography, installation, music and dance.

 
Program

Friday, February 26th, 8 pm

Sébastien Lespinasse, sound poetry
Monica Klingler, dance

Saturday, February 26th, 8 pm

Henrike Daum, lecture | video
Bettina Wenzel, lecture | performance

Sunday, February 27th, 8 pm

Thomas Stricker, lecture| film
Ben Patterson, music performance
Video program
[all days | about 50 minutes]
Takashi Ishida, Tokyo
Kathi Kaeppel, Berlin
Anna Linder, Stockholm
 
  fr 25.2.05
sa 26.2.05
su 27.2.05
 
 
 
  participating artist:

Henrike Daum, Muenster
Takashi Ishida,
Tokyo
Kathi Kaeppel,
Berlin
Monica Klingler,
Brussels
Sébastien Lespinasse,
Toulouse
Anna Linder,
Stockholm
Ben Patterson,
Wiesbaden
Thomas Stricker,
Duesseldorf
Bettina Wenzel
, Cologne

 
 
 
 

Henrike Daum, Muenster

Henrike Daum works with video, her work “Different Tracks” was presented in Tokyo,
within the Artist Initiative Links 2004 "Puddles". We asked her for a statement about
her first visit and her experiences as an artist in Japan.

 
         
 

Takashi Ishida, Tokyo

In spite of some anachronistic aesthetics, his film has very fascinating
details. Finally the details cover all ideas. His films are
based on simple and basic principal of animation. But it shows
fruitful possibilities of the material as films.

 
 
 
 

Kathi Kaeppel, Berlin

www.monogatari.de - The label’s name is taken from the Japanese - something like:
<story telling> - according to their main subject: animation, comic. Kaeppel is one of
them, she created a beautiful animation piece on a fairytale of H.C. Andersen.

 
 
         
 

Monica Klingler, Brussel

Without stage lighting and sounds, she uses only minimum
movements in her dance. But they evoke maximum pleasure.
It is an essential experience of dance.

 
 
   
  Sébastien Lespinasse, Toulouse

Based of his own body, he is developing the tradition of sound
poetry started with Kurt Schwitters. But it is never old fashion.
He is renewing it by his strong voice and conceptual thinking.
 
 
 

 
Anna Linder, Stockholm

Her short film "Cum pane" shows us the pure movements of hands that make bread and the
texture of wheat flour. The intimate hand motion changes into an abstract movement with
the free jazz sound track.
 
     
 

Ben Patterson, Wiesbaden

He is not only fluxus master but also expanding some idea of fluxus to new area. In his recent "Simple Opera", the distinction of professional and non-professional performer is abandoned
and a narrative element is rehabilitated in fresh way.

 
     
         
 

Thomas Stricker, Duesseldorf

Stricker approaches the traditional media of sculpture in his specific way of researching.
In his pieces the process of building - even the conditions of creating and the
structure surrounding it - became part of the work. Stricker talks about projects like:
“Es blüht oder es blüht nicht!?” “Das Land fließt wirklich!” These sculptures would
have been impossible without long-term social involvement of the artist, who convinced
people to collaborate for his idea.

 
 
     
  Bettina Wenzel, Cologne

In her improvising Wenzel searches for awareness of inner processes and at the same
time she tries to hear|feel her surrounding in a state of emergency. Within her work
Wenzel is open to various cultural inputs. Wenzel works as a solo-performer with dance,
voice and [live-]video. Subject of her lecture is her visit to India.
 
 

 

 
  Photographs: ©the artists [event: Christoph Bangert, Reinhild Kuhn]
Organization/concept:
Tomomi Adachi & An Seebach
    supported by Viessmann Werke GmbH & Co KG      
 
   
   
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